I am impressed by the inside of Theatre Royal Nottingham which appeared to be to be better proportioned with more comfortable seating than its North East namesake although after the major refurbishment undertaken as part of the Newcastle Gateshead bid for the becoming a European City of Culture won by Liverpool the Newcastle Theatre has a rich feel interior. I have had a behind scenes tour of the theatre after the refurbishment. The outside of the Nottingham establishment is being renovated at the present time. The theatre is run joined with the adjacent music auditorium by the City Council.
I had a two course meal in the theatre restaurant beforehand which with a small glass of wine and coffee worked out at £21 a head another £4 for courses. You can have olives or baked breads as a prelim if you do not want to rush to the first course or are waiting for other members of the party to arrive which the situation was noted at one of the dozen tables providing for between two and eight diners. The Appetizers including Whitebait which was tempting although I like these small fishes such as sprats wrapped in unhealthy crunchy batter. These were served in a good heap with a tartar sauce. There was also soup and ciabatta bread, a Rillette of duck with a caramelized organises and a mozzarella cheese and tomato salad with pesto oil.
I chose a Lamb shank in rosemary and recurrent jus with Lyonnais potatoes and season vegetables with the veg too crunchy for my taste but there were two piece of chunky lamb which were greatly enjoyed. Also available was chicken supreme in a creamy tarragon sauce with crushed new potatoes and seasonal veg, a Nile perch in fresh tomato salsa with a timbale of pepper rice and a Risotto of the day. Additional veg or a salad were available as side orders.
While the apple pie was tempting served warm with crème anglais and Gourmet ice Cream or sherry trifle. I settled for a Chocolate tart served with a white chocolate covered half strawberry. As this level of food goes and prepared for those with a Theatre show start it was neither the best or the worst encountered and being able to stroll over to good aisle seats in the dress circle after listening to a woman pianist gently playing tunes was a bonus, especially as the heavens opened as had been forecast.
My knowledge of the plays of William Shakespeare is no longer what it was during the years in which I attended the seasons of the Royal Shakespeare productions to Newcastle and visited Stratford twice. I also only have a vague memory of the 1988 production of the Taming of the Shrew at the Theatre Royal Newcastle although I remembered more the subject matter of play and the criticism which boiled over into understandable hostility on the part of feminists because in this version of the battle of the sexes the intended outcome in the subjugation of women by men which makes the play a clarion call for the Taliban. I have also seen the play at Oxford. Richard Burton and Elisabeth Taylor did a film version as Kiss Me Kate.
This year’s Royal Shakespeare Touring company production is a bawdy version with the actors speaking in the original English rather than the kind of Laurence Oliver pronounced Oxford.
Christopher Sly is fat, fatter than me, although this is not saying a lot and a drunkard with sexual ambitions and at the start of the play is thrown out of the alehouse scorned by a woman described as Hostess who is not inclined to invite him into her bed.
In the present production the woman director has chosen to use the rest of those in the alehouse to become the pack of hounds of an unnamed Lord and his huntsman who then encounter Sly in his stupor and hit on the idea of making an entertainment of him by removing his clothing and dressing him as the Lord and pretending that he has been deranged for over a decade in his bed. These kinds of devices are common to the Comedies. They also dress up a page to be his wife and who is told to express delight at having her husband seemingly restored to her. The disguise is so effective and Sly so drunk that he seeks his conjugal rights leading to a merry chase under the huge covering of the entire steeply slanted stage out into the audience.
It is at this point the Lord finds that there is alternative entertainment available as travelling players offer to give a performance of a play, The Taming of the Shrew with Sly and his “wife“ watching from different vantages points during the first half observed by the Lord from a box at the side. They disappear from significance until the end when Sly reverts to his former life.
The action of the play takes place in Padua, Italy. Hortensio can be described as a gold digger, Gremio is old and rich and Lucentio is new in town. All three men want to marry Bianca who initially appears beautiful and graceful. Her father Baptista Minola won't let anyone marry Bianca until someone marries her elder sister Katherina or Kate. Known as a shrew Kate is moody, fiery and has no desire to marry. In fact Bianca becomes something of a wanton as the play develops while Kate’s gestures match the sexuality of the language untilt eh end when they kinda switch roles.
Petruchio arrives in town and visits his good friend Hortensio. Petruchio's father has died and he is determined to marry any woman who is rich. He doesn't care how old she is or what she looks like. He is told of Kate and her fortune. Petruchio vows that he will marry her despite her reputation for “her scolding tongue.” He wants her fortune and the challenge of catching and taming her appeals to him. At the Minolas' house Kate has tied her sister Bianca up and is making her cry with her vicious behaviour. Their father frees Bianca from Kate's bullying grasp. Kate accuses her father of loving Bianca more than he loves her. Kate is enraged that she will have to marry anyone who comes along just so that Bianca can have her dream wedding. She shouts at her father: 'I must dance bare-foot on her wedding day / And for your love to her lead apes in hell.'
Petruchio meets Baptista Minola who warns him that wooing his daughter Kate will be difficult. Petruchio assures him he is up to it. Meanwhile Hortensio poses as music tutor and goes in to teach both Kate and Bianca. The class does not last long, Kate swiftly smashes an instrument over Hortensio's head. Petruchio finds this encouraging: 'It is a lusty wench; / I love her ten times more than ever I did.'
Kate is brought to Petruchio. They have a fierce battle of words. He calls her a wasp. She replies: 'If I be waspish, best beware my sting.' Kate hits Petruchio who shouts: 'I swear I'll cuff you Katherina if you strike me again.'
Kate calls him 'one half lunatic'. He tells her they will marry on Sunday and she absolutely refuses and leaves. Both Hortensio and now Lucentio pretend to teach Bianca whilst they are really just desperate to spend time with her. Lucentio's servant Tranio pretends that he is Lucentio's master. The wedding day arrives. Kate waits for Petruchio but he is very late. Kate fears that he is going to stand her up on her wedding day. She feels abandoned and livid and hurt.
But when Petruchio arrives he is dressed like a tramp and rides an old horse and is everything that is the opposite of romantic. Kate is humiliated but he insists that love is not about clothes or image. They marry and then Kate tries to take Petruchio to the wedding feast but he refuses. He won't let her go to it either. Instead he drags her back to his home. Once they are in his house he starves her of food and sleep. He says she must become gentle and obedient before he will feed her.
He brings a tailor with a stylish dress but he finds fault and breaks into pieces. He gets her to say the sun is the moon and vice versa as a prelude to demanding complete obedience to his views and wishes
They travel to Padua to see her friends and family. Petruchio asks her for a kiss in the street and she does not object. Tranio persuades a visiting schoolteacher to pretend that he is Lucentio's father Vicentio. He will assure Bianca's father of Lucentio's wealth. Now the real Vicentio turns up. But Lucentio and Bianca still get married and are very happy. Hortensio marries a wealthy widow. Petruchio and Kate come back to town. Petruchio.
The play culminates in a bet between the husbands about their control of their wives. Hortensio and Lucentio have a bet on whose wife is the most obedient and wager a hundred crowns on it. Kate wins the contest and everyone sees that she is a changed woman. Kate lectures the other wives on obedience. And so the Shrew is tamed.
There is some humour in the work for those who like bawdiness and it can be argued that this is a work about the power of sexuality which both sexes uses to conquer and control each other. As a statement about the role of wives it is appalling and to be condemned. The acting as one expects by the RSC is of the highest standards
No comments:
Post a Comment